Documentary on Holocaust by master film-maker Alfred Hitchcock being prepared for release.

“The British Army Film Unit cameramen who shot the liberation of Bergen-Belsen concentration camp in 1945 used to joke about the reaction of Alfred Hitchcock to the horrific footage they filmed,” reports the UK Independent. “When Hitchcock first saw the footage, the legendary British director was reportedly so traumatised that he stayed away from Pinewood Studios for a week. Hitchcock may have been the king of horror movies but he was utterly appalled by ‘the real thing.'”

Excerpts:

• In 1945, Hitchcock had been enlisted by his friend and patron Sidney Bernstein to help with a documentary on German wartime atrocities, based on the footage of the camps shot by British and Soviet film units. In the event, that documentary was never seen….
• Five of the film’s six reels were eventually deposited in the Imperial War Museum and the project was quietly forgotten.
• In the 1980s, the footage was discovered in a rusty can in the museum by an American researcher. It was eventually shown in an incomplete version at the Berlin Film Festival in 1984 and then broadcast on American PBS in 1985 under the title Memory of the Camps but in poor quality and without the missing sixth reel. The original narration, thought to have been written by future Labour Cabinet Minister Richard Crossman in collaboration with Australian journalist Colin Wills, was read by actor Trevor Howard.
• Now, finally, the film is set to be seen in a version that Hitchcock, Bernstein and the other collaborators intended. The Imperial War Museum has painstakingly restored it using digital technology and has pieced together the extra material from the missing sixth reel….Both the original film about the camps and the new documentary will be shown on British TV in early 2015 to mark the 70th anniversary of the “liberation” of Europe….
• In Memory of the Camps, there is imagery of heaps of naked bodies being piled up in mass graves. The footage seems as surreal as anything you might see in a Hieronymus Bosch painting but then you remember that these corpses haven’t been conjured up by some artist’s twisted imagination. These are real victims whose relatives are alive today.
• In the documentary, we see the Germans themselves confronted with the enormity of the crimes committed in their name and forced to help bury the dead themselves.

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